Flamenco 3. ACCOMPANY this f lamenco song. Use palma s seca s for the louder beats and palmas sordas for the other beats. Cup your hands to perform the sound of palmas sordas and regul ar cl apping for the palmas secas. 1 2 1 2 3 4 5 6 7 8 9 10 Body percussion is a fundamental par t of f lamenco. Cante (singing) and toque (guitar play ing) are accompanied by different t y pes of hand claps , and also by finger clicks and zapateado (tapping the f loor) per formed with shoes with a hard sole and nails on the toe and the heel . Gumboot dance 4. DANCE Baba Baxolele, South Af rican song. In zapateado, the dancer taps the f loor with the whole foot , half the foot , the heel , the edge of the heel or the toe. These basic movements are combined to make different rhythms. Take a step in the indicated direction. Take a step and slap the boot with both hands. Gumboot dance appeared at the end of the 19th centur y in the mines of South Afr ica . The workers , mostly black men , per formed ver y hard and dangerous tasks . They were forbidden from talking or singing while they worked , so they invented a way to communicate that used the sound of their gumboots . Today, this dance is a symbol of the fight against the racism and repression that black people in South Afr ica suffered . Perform ever ything 3 times, quicker and quicker. 6 (twice) 3 (twice) 5 (twice) 1 (twice) 2 (twice) 4 9
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