6. Secular vocal music 25. COMPLETE two information cards like these and compare them. Secular monophony appeared in around the 9th centur y, but as it was generally passed on orally, there are hardly any records of it . Its main character istics are: Its composer is known. It has a monophonic tex ture, but with instr umental accompaniment . It uses modal scales and rhy thmic modes . It's written in the local language. It's designed for enter tainment, with secular themes (about love or histor y) or religious themes ( but not linked to liturgy). It was per formed by minstrels in public spaces and troubadours in palaces . 26. LISTEN to A Chantar by Beatriz de Día. Then f ind out information about the piece and its composer, and answer the questions. ➔ When and where was Beatriz de Dia born? ➔ What nickname was she known by? ➔ What kind of music did she compose: religious or secul ar? ➔ Why is this piece relevant? GREGORIAN CHANT Title: Adorate Deum . Composer: anonymous . Type of music: liturgical . ➔ Vocal and /or instrumental : ➔ Texture and accompaniment (yes/no) : ➔ Modal scale (yes/no) : ➔ In Latin (yes/no) : ➔ Subject : ➔ Function : ➔ Where it was performed : SECUL AR VOCAL MONOPHONY Title: Can Vei la Lauzeta Mover. Composer: Bernart de Ventadorn . Type of music: secul ar. ➔ Vocal and /or instrumental : ➔ Texture and accompaniment (yes/no) : ➔ Modal scale (yes/no) : ➔ In Latin (yes/no) : ➔ Subject : ➔ Function : ➔ Where it was performed : 18 I The Middle Ages
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