Contexts and cultures • • Performance of Como Poden per sas Culpas f rom the Cant igas de Santa María, anonymous. • • Creation of a present-day chanson de geste. • • Performance of Morenica, anonymous Sephardic song. • • Medieval rhythmic modes. • • Medieval modal scales. • • Plainsong or Gregorian chant and liturgical polyphony. • • Medieval notation. • • Secular monophony. • • Instrumental music. • • Music in al-Andalus. • • Reading The stolen codex, about the Codex Calixt inus. • • Religious vocal music: mass, motet and chorale. • • Secular vocal music: madrigal , song, chanson, romance, villancico and ensalada. • • Instruments and instrumental forms: tiento, toccata and diferencias. • • Court dances. • • Reading Pat rons of t he 2 1st cent ur y about crowdfunding. • • Performance of Tres Morillas me Enamoran en Jaén f rom the Cancionero de Palacio, anonymous. • • Creation of a rhythm to accompany a galliard. • • Performance of a pavane dance and creation of choreography for one of its parts. • • Basso continuo. • • The Baroque orchestra and instruments. • • Instrumental forms: fugue, sonata, concerto (grosso and a solo) and suite. • • Opera seria and opera buffa. • • Religious vocal music: mass, motet , cantata, oratorio and passion. • • Baroque dance and ballet . • • Reading An unforgettable concert about the revival of the work of J. S. Bach. • • Performance of Fugue in C Major, BWV 564, J. S. Bach. • • Performance of Sarabande, G. F. Händel . • • Performance of the Overt ure f rom L' Orfeo, C. Monteverdi. • • Accompaniment with body-percussion ostinatos to the chaconne f rom Le Bourgeoi s Gent ilhomme, J.-B. Lully. • • Classical orchestra and instruments. • • Small instrumental forms: theme and variations, minuet and rondo. • • Great instrumental forms: sonata, symphony, concerto, quartet , etc. • • The reform of the opera. • • Religious vocal music: the requiem. • • Classical dance. • • The Classical period in Spain. • • Reading Beet hoven 's hair, exploring the causes of the death of L. van Beethoven. • • Making a programme for a concert . • • Performance of Non Più Andrai f rom The Marriage of Figaro, W. A. Mozart . • • The instruments and the symphony orchestra of the Romantic period. • • Compositions for piano, symphonic music and programme music. • • Opera, zarzuela and lied. • • Musical nationalism. • • Romantic dance and ballet . • • Reading Music for friends about F. Schubert's musical meetings. • • Performance of Coro de Románt icos f rom Doña Franci squita, A. Vives. • • Performance of the Walt z f rom The Sleeping Beaut y, P. I. Tchaikovsky. • • Performance of the Radet zk y March, J. Strauss I. • • Musical movements of the 20th centur y. • • New ways of representing music: the graphic score. • • Instruments of the 20th centur y. • • 20th-centur y music in Spain: nationalism, the Generación del 27 and the Generación del 51. • • 20th-centur y ballet and contemporar y dance. • • Reading Different Trains about S. Reich’s process when composing this piece. • • Performance of Bolero, M. Ravel . • • Performance of the Ballad of Mack t he Knife f rom The Threepenny Opera, K. Weill , adapted by M. Blitzstein. • • Digital editing of an audio f ile. • • Percussion accompaniment for Sacromonte f rom Cinco Danzas Gitanas, J. Turina. theatrical creation 5
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